A tall man in a tightly-buttoned suit and a bowler hat, carrying a large black umbrella, stands on a ledge on the seventh floor of an apartment building. Behind him
Timothy McNeil's new play "Machu Picchu, Texas," now having its world premiere at the Stella Adler Theatre in Hollywood, is like a Chinese meal: satisfying and
If you live in a city like Santa Monica that showcases art films, independent productions and documentaries, you are very fortunate indeed.
If you do, I would encourage you to
If Robert Standley is the rainmaker — and he most flamboyantly is — then Jack Heller must be the starmaker for the way he directs Tanna Frederick in her role as Lizzie,
Two men in love with the same woman. And, according to some reports, with each other as well. All living together in a 55-room mansion in the hills. What could
If a play’s success can be measured by the amount of meat it offers you to chew on, and the length of time it takes for you to digest it, then ¬ìThat Good Night¬î can be considered a success.
No matter how intently you pay attention, “No Way Around But Through” doesn’t make a lot of sense. Billed as a “dark romantic comedy,” this new play by actor/playwright Scott Caan is intermittently comic but persistently cranky rather than dark.
If you’re pining for perfect pratfalls, you’ve got to see “Stoneface” because its star, French Stewart, has them down “prat.” Stewart, best known for his six seasons as the alien communicator on TV’s “3rd Rock from the Sun,” displays a breathtaking physicality as he portrays comedy icon Bus
In my view, it’s cause for rejoicing when a play is beautifully written and is performed by actors who are at least as brilliant as the writing. Mostly because it doesn’t happen all that often.
