As Winston Churchill might describe it, Theresa Rebeck’s play “The Water’s Edge” is “a riddle wrapped in a mystery inside an enigma.” There are more mixed emotions, contradictions, outright lies, duplicity, passion and chills in this dramatic masterpiece than in any play you’re likely to see in this
There must be at least half a dozen people in L.A. who have never seen Thornton Wilder’s classic play, “Our Town.” If you are one of them, you couldn’t do better than the production that opened last week at the Broad Stage.
As Gertrude Stein once said about Oakland, “There’s no THERE there.” And you might say the same for the Geffen Playhouse’s production of “Red Hot Patriot, The Kick-Ass Wit of Molly Ivins.
“A Separation” is probably one of the best films of the year. But it should come with a warning label, because it is not for the faint of heart. It is so intense that it can tie your stomach in knots, and you may have a hard time breathing.
Fela Anikulapo-Kuti was the Lady Gaga of Nigeria in the 1970s. The creator of Afrobeat, a fusion of jazz, funk, psychedelic rock and traditional West African chants and rhythms, Fela became an international phenomenon and then went on to become a notorious political activist, the scourge of the Nige
For those of us who have lived much of our lives in the Kennedy Century, “The Color of Rose” is a poignant revisit with the fabled family that always seemed an extension of our own.
Who would have suspected the sophisticated, debonair and wittily dismissive Noel Coward to be a mooshy patriot? Anyone who’s ever seen his play “Peace In Our Time,” that’s who.
If you are a Frankie freak — and who among us is not? — you will find no greater pleasure than flying away to the Pantages Theatre before Nov. 6. There Sinatra reigns supreme, singing 27 of his all-time hits — songs that make you want to hug whoever’s sitting next to you.
“The God of Isaac” is an irritatingly unconvincing play, despite the earnest charm of its leading man, Adam Korson. Korson plays Isaac Adams, a Jewish journalist in Chicago happily married to his blonde “shiksa goddess,” a badly wigged fashion model played by Corryn Cummins.
Of all the things we think we know about William Shakespeare, most of them are guesses, or assumptions, or just plain made up. In actual fact, even though the writings of many of his contemporaries have survived through time, there is not a single piece of paper ever discovered that was written in S
Aleksei Fedorchenko’s latest film, “Silent Souls,” is both silent and soulful. And incredibly Russian. The story revolves around the ritual burial of Tanya (Yuliya Aug), the much-loved wife of the manager of a paper factory, Miron (Yuri Tsurilo).
Like “In the Heights,” the recent happy musical set in New York’s Washington Heights, “South Street,” the new musical that had its world premiere this week at the Pasadena Playhouse, also glorifies a classic neighborhood.
