In my view, it’s cause for rejoicing when a play is beautifully written and is performed by actors who are at least as brilliant as the writing. Mostly because it doesn’t happen all that often.
I can’t rave enough to adequately convey my excitement and admiration for the new adaptation of “Cyrano de Bergerac” that opened recently at the Fountain Theatre.
They weren’t projecting, they were SHOUTING! And even if they were better actors, the play would still be a lot of frivolous twaddle. It’s “Early and Often,” a play by Barbara Wallace and Thomas R.
Not since Mel Brooks’ outrageous “Springtime for Hitler” has there been a holocaust musical as ill-conceived and badly performed as “No Time to Weep,” now on-stage at L.
