It’s hard to believe that Peter Gallagher’s performance was never rehearsed, that the actor appeared onstage to read author/actor Tim Crouch’s convoluted script without ever having seen it before.
For those unaware, or for whom memories have faded, the 1960s were perhaps our most turbulent era since the Revolutionary War. The political and social changes that resulted came at a great cost.
Success doesn’t happen overnight. Success, it seems, always includes hard work and perseverance. For Vince Palmo and his wife Holly Gent-Palmo, the writers’ seemingly sudden rise to fame, with their smash indie film “Me and Orson Welles,” has been a long journey.
Ever since the government permitted Native Americans to establish — and keep the proceeds from — their own gambling casinos, there has been a stampede among people of many different ethnic backgrounds to claim their “Indian heritage.
Fire can both purify and destroy. It purifies when it is used to burn away the dross to get to the priceless item beneath. It destroys when it is out of control.
A musical based on Dr. Seuss’ “How the Grinch Stole Christmas” seems like a good idea. A charming holiday crowd-pleaser. So why was the audience at the Pantages Theater, filled with kids and their parents, so amazingly quiet? No giggles.
This book is another in the suspense fiction genre line put out by Bethany House to address the need for good fiction. It uses science fiction in the mix.
The cover photo of Andre Agassi’s best-selling book “Open: An Autobiography” sets the tone. Agassi’s face is photographed so starkly that it’s reminiscent of a mug shot.
I‘m having a hard time coalescing my thoughts about Bill Cain’s new play, “Equivocation.” Enjoyable, yes. Easy, not so much. An anachronistic, erudite visit with William Shakespeare and what he might have called “The Old Globe Gang,” the play begins with an order issued by King James I for a new dra
Bethany House adds another exciting suspense tale to its line up. This one is set in a research facility where everything is not as it seems. Someone is trying to convince Lacey McHenry that she is having hallucinations.
To be an artist is to be an outsider. A loner. A person overwhelmed by his passions. And more than a little insane. That’s the premise of Stacy Sims’ play “As White As O,” now having its world premiere at the Road Theatre in North Hollywood.
When I tell you the feel-good, comedic, coming of age flick for the holiday season takes place in New York during the 1930s you might incredulously think, “Yeah, right.
