“If music be the food of love, play on!” — William Shakespeare L.A. Chamber Orchestra (LACO) is always thinking of ingenious new ways to get audiences interested in chamber music.
Richard Diebenkorn put Santa Monica’s Ocean Park on the map the world over. Every major museum owns at least one of the iconic paintings in his “Ocean Park Series” — only two own more than one.
A few days ago, Nobel Laureate and Holocaust historian Elie Wiesel appeared on Lawrence O’Donnell’s TV program “The Last Word” to express his outrage at a practice of the Mormon Church.
Maybe it’s because I grew up in the 1960s, but there’s a peace, love and reconciliation theme, though bittersweet, that resonates as I continue to think about “Simon Boccanegra,” the current Los Angeles Opera production at the Dorothy Chandler Pavilion.
Women artists are finally getting some due lately (better lately than never?), with surrealists at LACMA, L.A. artists Claire Falkenstein and Ruth Weisberg opening this Saturday at Jack Rutberg Gallery on La Brea (Weisberg will be present); and earth artist/cosmic conceptualist Lita Albuquerque’s ga
In January, Santa Monica Daily Press editor Kevin Herrera reported that, “The League of California Cities and the California City Manager Foundation are featuring Santa Monica in their ongoing ‘Strong Cities | Strong State’ campaign highlighting local government success stories across California.
SM PIER — Planning is already underway to bring a little Glow back to Santa Monica. Over a year and a half of organizing and fundraising will take place before the Glow art festival, with its 20 massive installations and over 100 artists, makes its return to the Santa Monica Pier on Sept.
The name says it all, so be warned. It’s called “Filthy Talk for Troubled Times,” but the “trouble” comes mostly from the play itself. Playwright Neil LaBute revels in writing long boring monologues: in “Wrecks” Ed Harris stands over his wife’s coffin and bemoans her loss for the full length of the
CIVIC CENTER — The Chain Reaction sculpture has become the focal point of public attention once again after two decades as a relative wallflower as city staff recommends removing it from Santa Monica’s public art collection.
As Winston Churchill might describe it, Theresa Rebeck’s play “The Water’s Edge” is “a riddle wrapped in a mystery inside an enigma.” There are more mixed emotions, contradictions, outright lies, duplicity, passion and chills in this dramatic masterpiece than in any play you’re likely to see in this
There must be at least half a dozen people in L.A. who have never seen Thornton Wilder’s classic play, “Our Town.” If you are one of them, you couldn’t do better than the production that opened last week at the Broad Stage.
As Gertrude Stein once said about Oakland, “There’s no THERE there.” And you might say the same for the Geffen Playhouse’s production of “Red Hot Patriot, The Kick-Ass Wit of Molly Ivins.
