By Daily Press staff
A comedic parity on how rumors can get started is coming to a theater near you.
“Rumors” is set during the 10th anniversary party of the
This dopey horror flick from Brit TV director Geoffrey Sax deals in the dubious conceit known as Electronic Voice Phenomenon, which suggests that dead people communicate with the living via
COMMUNITY BRIEFS a modern-day film noir; the 1998 remake of “Psycho,” starring Anne Heche and Vince Vaughn; and the made-for-TV remake of “Rear Window,” featuring Christopher Reeve.
By Daily Press staff
Young professionals may find themselves motivated next week if they listen to an actor’s take on the trials and tribulations of making it to the
By Daily Press staff
A Westside resident went for spin on national television and wound up $24,300 richer.
Pamela Beaver of Westchester was a winning contestant on the Dec.
By Daily Press staff
The Defense Department’s decision to embed journalists with U.S. troops invading Iraq in 2003 was a success for the military, the media and the
Fresh out of NYU film school, director Nicole Kassell makes her Big League debut with a disturbing portrait of a paroled pedophile’s attempts to re-enter society. “The Woodsman”
As far as living Hollywood legends go, it doesn’t get any bigger than Dustin Hoffman or Robert DeNiro. They’ve been perennial Oscar contenders for over three decades, and
Fans — and they number in the tens of millions — of Andrew Lloyd Webber’s long-running stage phenomenon are likely to revel in filmmaker Joel Schumacher’s highly faithful rendering.
By Daily Press staff
Cable subscribers will soon see changes in their television programming. Adelphia has expanded its offering of digital and expanded basic programs as it adds BET on
In this unobjectionably hokey remake of the 1965 popcorn flick of the same name, mysterious nerd Elliott (Giovanni Ribisi) convinces his fellow plane crash survivors that the only way to
Cultural integration, yearning for acceptance, and the challenges of bringing up children are the central themes of James L. Brooks’ flawed but pleasant new dramedy, “Spanglish,” the story of a
